Titulo | The Chase |
Agência | adam&eveDDB |
Campanha | The Chase |
Anunciante | Camelot Group |
Marca | The National Lottery |
Data da primeira Transmissão/Publicação | 2022 / 6 |
Sector Empresarial | Lotarias e jogos de sorte |
Tipo de Mídia | Interatividade |
Comprimento | |
Audio Post Production | 750mph |
Group Executive Creative Director | Ben Tollett |
Director criativo | Mark Lewis |
Director criativo | Matt Fitch |
Social Creative | Matthew Osbourne |
Social Creative | Judith Tulkens |
Produtor | Mary Fostiropoulos |
Produtor | Clio McLeary |
Produtor | Panos Louca |
Assistant Producer | Giulia Mereu |
Produtora | Arts & Sciences |
Directors | THE BOBBSEY TWINS FROM HOMICIDE |
DP | Alex Barber |
Produtor | Emma Butterworth |
Partner/Executive Producer | James Bland |
Production Manager | Julia Guignabel |
Designer de produção | Chris Oddy |
Costume | Lucy Hagan |
B-unit Director | Frank Atlantic |
B-unit Producer | Lauren Highman |
Hero casting | Ali Fearnley |
Empresa de produção | Stitch |
Editor | Leo King |
Editor | Max Windows |
Pós produção | Black Kite Studios |
Shoot Supervisor | Tito Fernandes |
VFX Supervisor | Paul Wilmot |
CG Lead | James Hansell |
Colorist | George Kyriacou |
B-unit Flame Lead | Mark Stannard |
Post-production Producer | Phil Whalley |
Sound Engineer | Sam Ashwell |
Sound Engineer | Jake Ashwell |
Audio Producer | Martin Critchley |
Audio Producer | Olivia Ray |
Música | Theodore music |
Music Supervision | Tom Stanford |