Titulo | Knock Knock (Film) |
Agência | Cheil Worldwide |
Campanha | Knock Knock |
Anunciante | Korean National Police Agency |
Marca | Korean National Police Agency |
Posted | Março 2023 |
Sector Empresarial | Governo e outras instituições |
História | During the pandemic, there was a global surge in reports of domestic violence, except in Korea where they decreased. Data indicated that over 80% of the victims were females, and according to experts’ analysis, these women were unable to report the abuse because they were confined in the same small space with their abusers. |
Filosofia | In an environment where it was increasingly difficult to report abuse, ‘Knock Knock’ provided a sustainable solution that enabled predominantly female victims to call for help without using words, thus helping them regain control of a situation they never should have been in. |
Tipo de Mídia | Case Study |
Comprimento | |
Director criativo | Seongphil Hwang |
Redator | Seungree Kang |
Creative Strategy | Junpyo Kim |
Director de arte | Taeyul Ko |
Director de arte | Suntaeck Kim |
Global Copywriter | Hyoeun Jeon |
Designer | Wanmo Koo |
Designer | Jeakyun Kim |
Designer | Sungjin Lee |
Empresa de design | Bounce Creative |
Produtora | Junpasang Production |
Produtor executivo | Kyounghyun Kim |
Designer de produção | Seunghyun Jo |
Produtor | Minkyoung Choi |
Compositor | Jawan Gu |
Sound / Music | On the Track |
Sound Designer | David Kwon |
Produtora | Winning habit |
Realizador | Hyungseok Song |
Editor | Jungdae Min |
Flame Artist | Jinhee Lee |
Colorist | Wonwoo Choi |
Pós produção | Sogeukjang |
Pós produção | Aura |
Cinematografia | Junsung Yoon |
Fotógrafo | Choongsun Park |