Titulo | Welcome To The Club |
Agência | Wieden + Kennedy |
Campanha | Welcome To The Club |
Anunciante | Ford Motor Company |
Marca | Ford Mustang |
Data da primeira Transmissão/Publicação | 2023 / 10 |
Sector Empresarial | Automóveis |
Tipo de Mídia | Branded Content |
Comprimento | |
Trilha sonora | “Stoned on Ocean” from artist/writer Curren$y |
Empresa de produção | Final Cut |
Director de publicidade | Jess Muir |
President | Jiah Choi |
Chief Creative Officer | Marques Gartrell |
Director executivo criativo | Eric Helin |
Director executivo criativo | Stuart Jennings |
Director criativo | Dan Peters |
Director criativo | Reef Younis |
Director de arte | Dylan Simel |
Redator | Nickolas Sugai |
Chefe de produção | Nick Setounski |
Produtor executivo da agência | Jessica Griffeth |
Senior Agency Producer | Jake Freeman |
Designer | Zachary Winterton |
Studio Artist | Erica Remmele |
Group Strategy Director | Alix Toothman |
Group Social Strategy Director | Caroline Tseng |
Estrategista | Darren Wong |
Produtora | RSA Films |
Realizador | Jared Malik Royal |
Co-Writer | Rivers Cahee |
President / Executive Producer | Luke Ricci |
Produtor executivo | Matilde Ramos Pinto |
Produtor de linha | Jeremy Blum |
Production Coordinator | Natalie Orsi |
DP | Danyal Niazi |
Editor | Matt Carter |
Assistant Editor | Kaylin Smida |
Post-production Producer | Michael Dart Wadsworth |
Post-production Producer | Laura Mirabella |
Executive Post Producer | Sarah Roebuck |
Colorização | Rare Medium Group Inc. |
Colorist | Mikey Rossiter |
Senior Color Producer | Heath Raymond |
Música | Jet Life Recordings |
Música | Black Cloud |
MUSIC Artist | EJ2 |
MUSIC Artist | Motif |
Empresa de design sonoro | Machine Sound |
Sound Engineer | Alex Bingham |
Sound Engineer Assistant | Chantelle Donovan |
Sound Engineer Assistant | Nicole Watlington |
Executive Sound Producer | Matej Oreskovic |
Produtor de som | Andi Lewis |