Titulo | The Piccards |
Agência | Droga5 |
Campanha | Wild Rabbit |
Anunciante | LVMH Moët Hennessy - Louis Vuitton S.A. |
Marca | Hennessy |
Data da primeira Transmissão/Publicação | 2016 / 4 |
Sector Empresarial | Bebidas espirituosas |
História | Hennessy has launched The Piccards, the fourth iteration of the brand’s Wild Rabbit campaign. The new creative continues to bring to life the spirit of Hennessy’s ‘Never stop. Never settle.’ mantra, this time through the remarkable true story of the Piccards, a pioneering family of explorers whose relentless pursuits pushed the limits of potential and made history.In 1931, a Swiss physicist by the name of Auguste Piccard became the first man to reach the stratosphere. Nearly three decades later, in 1960, his son Jacques became the first to reach the deepest bottom of the ocean. This remarkable true story is the basis for Hennessy’s latest film. Told in fresh, cinematic style :90 film, The Piccards reimagines the individual achievements of the two men as one continuous journey up—a surreal, adrenaline-spiked odyssey to the stratosphere and the deepest ocean depths. But at the core of the adventure is an incredible story about the bond between a father and son, the power of ambition and the will to achieve. Told in additional iterations of :60, :30 and :15 films, Hennessy tapped musician Nas to tell the story of the Piccards’ intergenerational Wild Rabbit chase – Hennessy’s metaphor for the relentless pursuit of achievement.The film was directed by Daniel Wolfe of Somesuch.Co. Part of Daniel’s vision was a collaboration with photography specialist Chris Parks - who’s abstract imagery has been in benchmark pieces such as Tree of Life and Gravity. Beyond Daniel’s attention to story and performance, there was a dedication from an early stage in achieving a unique, cinematic look to the film. This was brought to life across all departments, from the incredible, research-based production design, to the capture of material on 35mm film. In the final stages of the process each frame was printed back to a film negative before final master. |
Tipo de Mídia | Televisão |
Comprimento | |
Produtora | Anonymous Content |
Chairman | David Droga |
Chief Creative Officer | Ted Royer |
Director criativo | Alexander Nowak |
Director criativo | Felix Richter |
Redator | Phil Hadad |
Director de arte | Marybeth Ledesma |
Chefe de produção | Ben Davies |
Produtor executivo | David Cardinali |
Produtor da agência | Sam Marx |
Chief Strategy Officer | Jonny Bauer |
Estrategista | Elaine Purcell |
Estrategista | Danielle Travers |
Estrategista | Zack Cohn |
Estrategista | Delphine McKinley |
Executive Group Director | Steven Panariello |
Director de contas | Patrick Rowley |
Supervisor de conta | Kendra Schaaf |
Account Manager | Andrew DeMatos |
Account Manager | Rebecca Warren |
Project Manager | Dean Farella |
Produtora | Somesuch |
Realizador | Daniel Wolfe |
Produtor executivo | Eric Stern |
Produtor executivo | SueEllen Claire |
Chefe de produção | Kerry Haynie |
Director de fotografia | Tom Townend |
Producer | Lee Groombridge |
Fotógrafo | Chris Parks |
Empresa de produção | Cosmo Street |
Empresa de produção | Trim |
Editor | Tom Lindsay |
Editor | Julie Walsh |
Editor | Magda Plugowska |
Editor | Elise Butt |
Produtor executivo | Maura Woodward |
Producer | Anne Lai |
Pós produção | The Mill |
Chefe de produção | Sean Costello |
Producer | Nirad Russell |
Produção musical | Woodwork Music |
Compositor | Phil Kay |
Empresa de design sonoro | Q Department |
Sound Designer | Drazen Bosnjak |
Sound Designer | Jean Baptiste |
Sound Designer | Jean-Baptiste Saint Pol |
Produtor executivo | Zack Rice |
Producer | Guin Frehling |