THE FINANCIAL INDUSTRY EMBRACED ADVERTISING AND INNOVATION “FOR GOOD”, AN EVOLUTION APPLAUDED BY AWARDS JURIES.
Banks have often been portrayed as the bad guys, but to judge from this crop of multi-awarded campaigns, lately they’ve been focused on doing good. From Doconomy’s carbon-capping credit card to VUB’s “Money Saving Button”, which actually discourages consumers from spending impulsively, not to mention Santander’s Bank’s innovative “Fieeld” haptic device for the visually impaired, these financial giants clearly aimed to contribute to society. In the top slot is the “Astronomical Sales” event from MasterCard and FP7/DXB McCann Worldgroup (Dubai), which cleverly equated a solar eclipse with the brand’s logo. And as the event was linked to a price-slashing exercise on a popular shopping site, consumers won yet again.
Banks have often been portrayed as the bad guys, but to judge from this crop of multi-awarded campaigns, lately they’ve been focused on doing good. From Doconomy’s carbon-capping credit card to VUB’s “Money Saving Button”, which actually discourages consumers from spending impulsively, not to mention Santander’s Bank’s innovative “Fieeld” haptic device for the visually impaired, these financial giants clearly aimed to contribute to society. In the top slot is the “Astronomical Sales” event from MasterCard and FP7/DXB McCann Worldgroup (Dubai), which cleverly equated a solar eclipse with the brand’s logo. And as the event was linked to a price-slashing exercise on a popular shopping site, consumers won yet again.
Most awarded
campaigns, brands &
agencies in
Finance in
2020
Most awarded
campaigns, brands and
agencies in
Finance in
2020
CAMPAIGNS
BRANDS
Brand | ||
---|---|---|
1 | Master Card | |
2 | Direct Line | |
3 | Santander | |
4 | ANZ Bank | |
5 | Nedbank |
AGENCIES
Name | ||
---|---|---|
1 | FP7/DXB - McCann Worldgroup, Dubai | |
2 | RBK Communication, Stockholm | |
3 | Arnold, Boston | |
4 | Havas Madrid | |
5 | VMLY&R Poland, Warszawa |
Watch
1. MasterCard / Astronomical Sales (75s)
Titulo | Astronomical Sales (75s) |
Agência | FP7/DXB - McCann Worldgroup |
Campanha | Astronomical Sales |
Anunciante | Mastercard International |
Marca | MasterCard |
Data da primeira Transmissão/Publicação | 2019 / 12 |
Sector Empresarial | Cartões de crédito |
Tipo de Mídia | Integrated Media/360 Activation |
Comprimento | |
Global Executive Creative Director | Adrian Botan |
Global Executive Creative Director | Pierre Lipton |
Director executivo criativo | Fouad Malak |
Director de arte | Edu Cesar |
Director de arte | Paulo Engler |
Redator | Nerine Gardiner |
Redator | Daniel Osorio |
Motion Design | Lucas Fuse |
Motion Design | Deydson Rocha |
2. Direct Line / Film 4 Idents
Titulo | Film 4 Idents |
Agência | Saatchi & Saatchi |
Campanha | Film 4 Idents |
Anunciante | Direct Line |
Marca | Direct Line |
Posted | Julho 2020 |
Sector Empresarial | Seguros |
Filosofia | In the movies, anything can happen. Which is perfect for Direct Line Insurance, because it had the opportunity to sponsor Film on 4, with idents in the ad breaks of famous movies. The idea was for a call centre that took calls and responded to events happening in the films, as they happened. Saatchi & Saatchi created over 60 idents that, with clever media buys, perfectly lined up with iconic insurance-related events in the movies. The imaginary call centre took calls from Hollywood’s biggest blockbusters, including a helicopter crash from The Matrix, and axe damage to a bathroom door from The Shining. |
Tipo de Mídia | Case Study |
Comprimento | |
Produtora | Rattling Stick |
Empresa de produção | The Assembly Rooms |
Pós produção | Framestore |
Empresa de design sonoro | Factory Studios |
Chief Creative Officer | Guillermo Vega |
Director executivo criativo | Dan Treichel |
Director criativo | Franki Goodwin |
Equipa criativa | Ryan Price |
Equipa criativa | Harriet Ronn |
Equipa criativa | Barney Spiro |
Business Leader | Richard Sweetman |
Director de contas | Paul McHugh |
Account Manager | Juliet Cornick |
Planeador estratégico | Rui Ferreira |
Produtor da agência | Marie Hughes |
Production Supervisor | Isaac Addo |
Realizador | Daniel Kleinman |
Produtor executivo | Johnnie Frankel |
Produtor | Stuart Bentham |
Editor | Eve Ashwell |
Post-production Producer | Helen Hughes |
Sound Designer | Dan Beckwith |
Brand Director | Kerry Chilvers |
Marketing Manager | Kirsty Hoad |
Manager, Brand Marketing | Emma Taylor |
Partner | Oli Scargill |
Diretor dos Negócios | Marine Turner |
Head of Sponsorship & Events | Chris Fuller |
Production Manager | Rick Chambers |
Associate Director | Andrew Gifford |
3. Doconomy / DO Black
Titulo | DO Black |
Agência | RBK Communication |
Campanha | DO Black - The CO2 emission limit credit card |
Anunciante | Doconomy |
Marca | Doconomy |
Posted | Mai 2019 |
Sector Empresarial | Meio ambiente e ecologia |
História | Swedish fintech company Doconomy has launched a credit card that tracks the carbon dioxide emissions of purchases, and caps the climate impact of users' spending. The DO Black credit card directly connects our consumption to the impact it has on the planet, in a bid to encourage us to actively reduce our carbon footprint each day. Users can make their daily purchases with the DO card, tracking the carbon emissions associated with their spending via the DO app. The app uses a calculation system called the Åland Index to measure the CO2 produced with every transaction, and allows users to put limits on the climate impact of their spending. Those who sign up to DO will receive access to a free savings account that helps them understand their carbon footprint, learn about UN-certified climate compensation projects, and discover investment funds that have a positive impact on people and the planet. The card itself is made of bio-sourced material and is printed with Air Ink – an ink made from recycled air pollution particles, namely the unburned carbon soot that comes out of car exhaust pipes, chimneys and generators. |
Tipo de Mídia | Case Study |
Comprimento | |
ECD | Johan Pihl |
Head of Innovation | Mathias Wikstrom |
Design | Marcus Nystrand |
Director de arte | Mattias Alfborger |
4. VUB Bank savings account / VUB money saving button
Titulo | VUB money saving button |
Brief | In 2018, for the first time ever, the total debts of Slovaks exceeded their savings.One of the reasons is, that we often spend money unplanned and shop online spontaneousely.Therefore, as a part of a VUB banks deposit campaign, we created a useful Chrome browser plugin to encourage people to save money and ask themselves if the purchase is necessary.The VUB money saving button. A simple browser plugin which adds the button‘Rather save’ next to every ‚Add to Cart’ button in famous eshops used by Slovaks. |
Agência | Triad Advertising s.r.o |
Campanha | VUB money saving button |
Anunciante | VUB Bank |
Marca | VUB Bank savings account |
Posted | Dezembro 2020 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
História | In 2018, for the first time ever, the total debts of Slovaks exceeded their savings.One of the reasons is, that we often spend money unplanned and shop online spontaneousely.Therefore, as a part of a VUB banks deposit campaign, we created a useful Chrome browser plugin to encourage people to save money and ask themselves if the purchase is necessary.The VUB money saving button. A simple browser plugin which adds the button‘Rather save’ next to every ‚Add to Cart’ button in famous eshops used by Slovaks. |
Tipo de Mídia | Interatividade |
Chief Strategy Officer | Martin Woska |
Director criativo | Vlado Kurek |
Director de arte | Adam Majko |
Redator | Matus Hliboky |
Developer | Roman Janajev |
Account Manager | Miroslava Dzupinova |
5. Santander Bank / Fieeld
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Titulo | Fieeld |
Agência | Havas Madrid |
Campanha | Fieeld |
Anunciante | Santander Bank |
Marca | Santander Bank |
Data da primeira Transmissão/Publicação | 2019 / 11 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
Legenda | The first tactile broadcasting system |
História | Fieeld is the first tactile broadcasting system.When tracking the play, a device was created with a sliding element that replicates what the ball does on the pitch. The movement of this element is easily detectable by the touch on a fabric surface that emulates the field, and synchronizes with the audio broadcasted, making it possible for the blind person to follow the sporting event. |
Tipo de Mídia | Case Study |
Comprimento | |
Mais Informações | https://www.footballcan.com/fieeld/en/ |
Chief Creative Officer | Jesús Lada |
Executivo de contas | Elena Moreno |
Executivo de contas | Erik Olivera |
Executivo de contas | Mavi Márquez |
Account Manager | Eva Suárez |
Director criativo | Nacho Soria |
Director de arte | Irena Labat |
Director de arte | Diego Lauton |
6. ANZ Bank / Mr Humfreez
Titulo | Mr Humfreez |
Agência | TBWA Group New Zealand |
Campanha | Mr Humfreez |
Anunciante | ANZ |
Marca | ANZ Bank |
Data da primeira Transmissão/Publicação | 2019 / 8 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
Filosofia | Mr Humfreez by ANZ Bank is a household device that shows New Zealanders if their home is too damp or too cold. Instead of a plastic gadget, it’s a biodegradable device that doesn't require a power source. Mr Humfreez is scientifically calibrated to WHO guidelines for a healthy home. His hygroscopic horns are programmed to uncurl when humidity rises above 65%. Bespoke thermochromic ink on his face turns blue when the temperature dips below 18°C. |
Tipo de Mídia | Packaging, marcas e design |
Comprimento | |
Chief Creative Officer | Shane Bradnick |
Chief Executive Officer (CEO) | Catherine Harris |
Director executivo criativo | Guy Roberts |
Design Creative Director | Wiktor Skoog |
Director criativo | Ashwin Gopal |
Director criativo | Julian Andrews |
Director de arte | Watchara Tansrikeat |
Designer | David Correa |
Design | Ye Sul Elly Cho |
Design | Jim Shi |
Design | Ammar Ghazal |
Head Of Planning | Matthew Kingston |
General Manager | Kate Heatley |
Group Business Director | Ruth Coulson |
Senior Producer | Mark Paisey |
TV Production | Jodie Hari |
Produtor executivo | James Moore |
Realizador | James Solomon |
Head of Post Production | Blair Walker |
Chief Marketing Officer (CMO) | Astrud Burgess |
Head of Consumer | Matthew Pickering |
Senior Marketing Manager | Kimberely Smyth |
Marketing Manager | Kimberely Smyth |
Mac Operator | Laura Callan |
PR Managing Director | Angelina Farry |
PR Account Director | Ian Benet |
Produtor | Camillo Spath |
7. Santander / In Someone Else’s Shoes
Titulo | In Someone Else’s Shoes |
Agência | Arnold |
Campanha | In Someone Else’s Shoes |
Anunciante | Santander |
Marca | Santander |
Data da primeira Transmissão/Publicação | 2018 / 12 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
Tipo de Mídia | Viral |
Comprimento | |
Director executivo criativo | James Bray |
Director criativo | Sam Mullins |
Director criativo | Justin Galvin |
Chief Creative Officer | Icaro Doria |
UX Designer | Chris Capella |
Estrategista | Connor Bay |
Estrategista | Molly Chisholm |
Produtor executivo | Rebecca Chaplick |
Produtor executivo | Nicole Hollis-Vitale |
Produtor executivo | Catherine Day |
Broadcast Producer | Will Gregg |
Broadcast Producer | Emily LaPierre |
8. Emirates NBD / Secure Your Account
Titulo | Secure Your Account |
Agência | Leo Burnett Middle East & North Africa |
Campanha | Secure Your Account |
Anunciante | Emirates NBD |
Marca | Emirates NBD |
Data da primeira Transmissão/Publicação | 2019 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
Tipo de Mídia | Interatividade |
Comprimento | |
Head of Client Services | Vikram Krishna |
Director de contas | Elena C. Cruz |
Supervisor de conta | Michele Wong |
Supervisor de conta | Dana Dabbenigno |
Account Manager | Hazem Bagh |
Account Manager | Sapna Kalati |
Marketing Director | Mai Cheblak |
Agência de Mídia | Sparks Foundry |
Planejador de Mídia | Pauline Rad |
Planejador de Mídia | Navya Sajeevan |
Planejador de Mídia | Vinita Merchant |
Executivo de contas | Lama Mosallem |
Executivo de contas | Fabienne Naggear |
Director de contas | Sonal Chaddha |
Director de contas | Hafsa Qureshi |
Planeador estratégico | Ahmad Abu Zannad |
Planning Director | Kimberly Douglas |
Planning Director | Rana El Alami |
Diretor dos Negócios | Ramzi Sleiman |
Global Chief Creative Officer | Liz Taylor |
Chief Creative Officer | Bechara Mouzannar |
Director executivo criativo | Andre Nassar |
Creative Director, Copywriter | Akhilesh Bagri |
Director criativo | Sidney Araújo |
Senior Copywriter | Matteo Maggiore |
Senior Copywriter | Shadi Khermasho |
Redator | Ayman Shehade |
Redator | Israa Tariq |
Director de arte | Valerio Mangiafico |
Director de arte | Jesper Ramadan |
Chefe de produção | Shereen Mostafa |
Produtor da agência | Ralph Matar |
Produtora | Dejavu Dubai |
Realizador | Naelle Sjoblad |
9. AIB / 10 | The Book That Grew
Titulo | 10 | The Book That Grew |
Brief | Grass was used to grow a book. A book containing 10 tangible lessons and 10 pieces of practical advice designed to help farmers maximise sustainability and increase profitability. The medium truly was the message: the book was grown from the very grass that Irish farmers nurture, with each page, each word, and each diagram shaped by real grass roots as they grew. When grass is managed correctly, it can work wonders. |
Agência | Rothco, part of Accenture Song |
Campanha | Roots |
Anunciante | Allied Irish Bank |
Marca | AIB |
Data da primeira Transmissão/Publicação | 2019 / 2 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
História | We used grass to grow a book. A book with 10 tangible lessons and 10 pieces of practical advice designed to help maximise sustainability and increase profitability. These 10 steps enable farmers to achieve a ‘perfect’ 10 rotations of grass grazing per year, and produce 10 tonnes of grass per hectare – a truly powerful number that will massively improve the sustainability of even the most efficient farm. in this instance, the medium truly was the message: our book was grown from the very grass that Irish farmers nurture, with each page, each word, and each diagram shaped by real grass roots as they grew. Not only does this book lay out a practical plan of action, it symbolises the power of our natural resources. When grass is managed correctly, it can work wonders. |
Tipo de Mídia | Case Study |
Comprimento | |
Redator | Rob Maguire |
Director de arte | Fabiano Dalmacio |
Design Director | Shane O’Riordan |
Designer | Diogo Dias |
Director criativo | Emma Sharkey |
Director criativo | Ray Swan |
Director executivo criativo | Alan Kelly |
Produtor executivo | Al Byrnes |
Production Assistant | Siobhan Coakley |
Public Relations | Helen Browne |
Director de contas | Alan McQuaid |
Diretor dos Negócios | Jimi McGrath |
Project Director | Irene Sharkey |
Chief Executive Officer (CEO) | Patrick Hickey |
Other | Rothco, part of Accenture Song |
Director / DOP / Editor | Jake Viramontez |
Photographer & Artist | Diana Scherer |
Letterpress Printer & Book Binder | Jamie Murphy |
Print Production Company | The Salvage Press |
10. Nedbank / Secrets
Titulo | Secrets |
Agência | Joe Public |
Campanha | Secrets |
Anunciante | Nedbank |
Marca | Nedbank |
Data da primeira Transmissão/Publicação | 2019 / 7 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
Tipo de Mídia | Branded Content |
Comprimento | |
Produtora | Romance Films |
PR Agency | Riverbed |
Agência de Mídia | The MediaShop |
Digital Media Agency | The Odd Number |
Digital Agency | Digitas Liquorice |
Talento | Brett Williams |
Talento | Rolanda Marais |
Talento | Hlubi Mboya |
Talento | Lindiwe Dim |
Talento | Peter Mashigo |
Talento | Faniswa Yisa |
Realizador | Greg Gray |
Produtor executivo | Helena Woodfine |
Director de fotografia | Paul Gilpin |
Director de arte | Will Boyes |
Director de arte | Keenan McAdam |
Guarda-roupa/estilista | Bridget Baker |
Guarda-roupa/estilista | Sandra Smith |
Editor | Kobus Loots |
Editor | Ricky Boyd |
Empresa de produção | Deliverance Post |
VFX Company | Chocolate Tribe |
Música | Mad Planet |
Compositor | Nicholas Wright |
Post Online | Jean DuPlessis |
Pós produção | Chocolate Tribe |
Colorist | Craig Simonetti |
Hair/Makeup | Annette Van Staden |
Hair/Makeup | Shiralee Maclachlan |
Art Buyer | Tammy Chetty |
Fotógrafo | Justice Mukheli |
Retocador digital | Simon Keeling |
Retocador digital | George Greyling |
11. AA Insurance / Dinosaur Vs Unicorn
Titulo | Dinosaur Vs Unicorn |
Agência | DDB Group Aotearoa |
Campanha | Dinosaur Vs Unicorn |
Anunciante | AA Insurance Limited |
Marca | AA Insurance |
Data da primeira Transmissão/Publicação | 2019 / 10 |
Sector Empresarial | Seguros |
Tipo de Mídia | Viral |
Comprimento | |
Produtora | Good Oil |
Head of Marketing | Richard Park |
Brand Marketing Manager | Melodie Vickars |
Marketing Manager | Catherine Dilly |
Director de publicidade | Charles Tatham |
Chief Creative Officer | Damon Stapleton |
Director executivo criativo | Gary Steele |
Director criativo | Ben Pegler |
Director de arte | Julia Ferrier |
Redator | Renee Bryant |
Lead Business Partner | Kate Lines |
Senior Business Director | Lucy Paykel |
Senior Account Manager | Sam French |
Chief Strategy Officer | Rupert Price |
Planning Director | Thinza Mon |
Digital Strategist | Carina Egelhof |
Produtor executivo | Judy Thompson |
Produtor da agência | Claire Colohan |
Produtor executivo | Mark Foster |
Realizador | Adam Gunser |
Música | Liquid Studios |
Pós produção | Alt VFX |
12. Tochka Bank / All at once
Titulo | All at once |
Agência | Voskhod |
Campanha | All at once |
Anunciante | Tochka Bank |
Marca | Tochka Bank |
Data da primeira Transmissão/Publicação | 2019 / 10 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
Legenda | All at once |
História | The video pictures the Russian market of small and medium-sized businesses as a gypsy one – grotesque, noisy, chaotic and carnivalesque. An entrepreneur has to overcome difficulties that the main antagonist – the Boss – is responsible for. The Boss is a vivid two-in-one representation of the government and monopolies. Together with his family, he terrorizes local businesspeople by demanding bribes, robbing the spots and collecting cash, not paying the bills and bogarting other businesses. So, it’s Russia as it is. However, we believe that together we can make it right. |
Tipo de Mídia | Viral |
Comprimento | |
Pós-produção | Ilya Linetsky |
Creative Director/ art director | Anton Rozhin |
Founder / Executive Creative Director | Andrey Gubaydullin |
Producer and Project Manager | Elizaveta Larionova |
Head of Strategy | Dmitry Donik |
Film Director | Emir Kusturica |
Titulo | Heartbeats 4 Sneakers |
Campanha | Heartbeats 4 Sneakers |
Anunciante | Klarna |
Marca | Klarna |
Data da primeira Transmissão/Publicação | 2020 / 7 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
História | Phase 1, Tease: 29.06-01.07 We started to build hype by revealing the drop in collaboration with Highsnobiety and Sneakerhead influencers. Placements: - heartbeats4sneakers.com (countdown) - Highsnobiety editorial + social - Influencers - Paid social - Klarna owned channels - PR Phase 2, Engage: 02.07-06.07 We launched the Smoooth raffle that premiers passion over bots by only allowed humans with whose heart beats for sneakers to enter. We amplified engagement by collaborating with influencers from the sneaker community. Placements: - heartbeats4sneakers.com - Highsnobiety editorial + social - Influencers - Bought social - Klarna owned channels - Paid social - Online video - PR Phase 3, Scale: 07.07-13.07 We launched 'Sneaker Deal Week' to demonstrate at scale that Klarna offers the best sneaker shopping experience. Placements: - heartbeats4sneakers.com - Influencers - Klarna owned - Paid social - Online video - Display - Merchants |
Problema | Sneaker shopping is a massive industry, estimated to reach a global value of USD$77Bn in 2020. Brief: How can Klarna - one of the world's leading fintech brands, with a mission to reshape the shopping experience and become the world's favourite way to shop - tap into the sneaker community in an authentic way? Objectives: Drive awareness and engagement within the (European) sneakerheads community, in a way that also generates spillover effects to the larger sneaker community (i.e. everyone who likes to shop sneakers). |
Tipo de Mídia | E-Commerce |
Comprimento | |
Produtora | Diktator |
Produtora | We Are Yours |
Equipa criativa | Julia Klyvare |
Equipa criativa | Amanda Lindgren |
Marketing Associate | Tina Bragfeldt |
Director de arte | Jesper Hellzén |
Redator | Cameron Thorne |
Designer | Pontus Gustavsson |
Design Lead | Calle Reimers |
Marketing Associate | Sophie Burgoyne |
Content Creative | Rickard Berggren |
Service Delivery | Felix Eller |
Marketing Manager | Leo Holte |
Marketing Manager | Mark Godfrey |
Marketing Manager | Mikael Vig Mangell |
Head of Media | Magnus Lindholm |
Marketing Director | Christian Cabau |
VP of Marketing | Daniel Jontén |
Realizador | Simon Jung |
Produtor | Sergej Israel |
Produtor executivo | Per Welén |
Creative technologist | Karl Wahlström |
Creative Technical Director | Fredrik Stutterheim |
Motion Graphics Director | Johan Lindgren |
Produtor | Jonas Stenqvist |
14. Die Mobiliar / Moving Box Furniture
Titulo | Moving Box Furniture |
Brief | Mobiliar is the oldest Swiss Insurance Company. While being a very traditional brand «Die Mobiliar» still has interesting insurance offers for a young target audience. Unfortunately, the young people are not aware of this. That’s why we didn’t create an advertising campaign, but something useful for the target audience. Something that really has a benefit for them – based on an important insight. When young people move to a new apartment, they usually don’t have appropriate furniture. That’s why we created «Moving Box Furniture», moving boxes that can be turned into furniture after the move. The creative furniture showed the young people, that «Die Mobiliar» has helpful offers for them and made the old brand a talking piece among the young target audience. |
Agência | Jung von Matt/Limmat Werbeagentur AG |
Campanha | Moving Box Furniture |
Anunciante | Die Mobiliar |
Marca | Die Mobiliar |
Posted | Dezembro 2020 |
Sector Empresarial | Seguros |
História | Mobiliar is the oldest Swiss Insurance Company. While being a very traditional brand «Die Mobiliar» still has interesting insurance offers for a young target audience. Unfortunately, the young people are not aware of this. |
Tipo de Mídia | Case Study |
Chief Creative Officer | Dennis Lück |
Director criativo | Sören Schröder |
Director de arte | Regine Cavicchioli |
Director de arte | David Hanselmann |
Gráficos | Merlin Obrero |
Product Design | Patrick Müller |
Designer | Boris Stoll |
Redator | Cla Campell |
Estrategista | Dennis Hofmann |
Estrategista | Florence Scherer |
Project Manager | Jasmin Jost |
Project Manager | Valeria Vuckovic |
Producer | Tina Aich |
Produção | Studio Lardo |
Film Camera | Matthias Kappeler |
15. ABN Amro / The Dark Side of Money
Titulo | The Dark Side of Money |
Agência | N=5 |
Campanha | The Dark Side of Money |
Anunciante | ABN Amro |
Marca | ABN Amro |
Posted | Dezembro 2020 |
Sector Empresarial | Serviços bancários, investimentos, corretores de bolsa |
Tipo de Mídia | Branded Content |
Comprimento | |
Agência de Mídia | STORM Digital |
Agência de Mídia | MediaCom Netherlands |
PR Agency | Newslab |
Produtora | Tebber Nekkel |
Redator | Leon Ragetlie |
Director de arte | Gabriela Nouws |
Director criativo | Daniel te Lindert |
Director criativo | Thijs Bontje |
Screenwriter & Director | Blue ter Burg |
Screenwriter & Producer | Quintin Baker |
Diretor de Estratégia | Esther Overmars |
Estrategista | Silvia van Hooft |
Head of Account Management | Judith Lavalette |
Client Services Director | Merel Hoogendorp |
Account Manager | Maaike Langereis |
Produtor da agência | Anna Bosscher |
Digital Director | Marcel Hellemons |
Digital Producer | Hans Dekker |
Designer | Noortje Hulshof |
Motion designer | Sander Kruit |
Motion designer | Robine Schmetz |
Designer gráfico | Ralph Bannink |
Fotógrafo | Ron Gessel |