Alternatives to crowded cities, cardboard boxes and a legendary Australian featured in some of the most moving travel campaigns.
Some of the biggest hits in transport and tourism were more about mobility than travel. Take the wonderful “Boxes” spot for Uber from Forsman & Bodernfors, which was all about unlocking traffic-clogged cities. Similar yet entirely different was Jung Von Matt’s genius idea of turning an Adidas sports shoe into an annual ticket, to persuade young people to take the subway. McCann New York scored big with an album featuring a selection of love songs that overturned gender clichés – all to promote MGM Resorts in Las Vegas, the marriage capital of the U.S. For Australia, Droga 5 created a mock trailer for a film featuring Crocodile Dundee’s hapless son. Elsewhere, a surf photographer abandoned the beaches of paradise for the storm-battered Lofoten archipelago in Norway, where he found a different kind of nirvana.
Some of the biggest hits in transport and tourism were more about mobility than travel. Take the wonderful “Boxes” spot for Uber from Forsman & Bodernfors, which was all about unlocking traffic-clogged cities. Similar yet entirely different was Jung Von Matt’s genius idea of turning an Adidas sports shoe into an annual ticket, to persuade young people to take the subway. McCann New York scored big with an album featuring a selection of love songs that overturned gender clichés – all to promote MGM Resorts in Las Vegas, the marriage capital of the U.S. For Australia, Droga 5 created a mock trailer for a film featuring Crocodile Dundee’s hapless son. Elsewhere, a surf photographer abandoned the beaches of paradise for the storm-battered Lofoten archipelago in Norway, where he found a different kind of nirvana.
Most awarded
campaigns, brands &
agencies in
Transport & Tourism in
2018
Most awarded
campaigns, brands and
agencies in
Transport & Tourism in
2018
CAMPAIGNS
BRANDS
Brand |
---|
AGENCIES
Name | ||
---|---|---|
1 | McCann New York | |
2 | Dentsu Inc., Tokyo | |
3 | Droga5, New York | |
4 | TBWA\Hunt\Lascaris Johannesburg | |
5 | Forsman & Bodenfors Göteborg |
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1. Berliner Verkehrsbetriebe (BVG) / The ticket-shoe
Titulo | The ticket-shoe |
Agência | Jung von Matt AG |
Campanha | The ticket-shoe |
Anunciante | Berliner Verkehrsbetriebe (BVG) |
Marca | Berliner Verkehrsbetriebe (BVG) |
Data da primeira Transmissão/Publicação | 2017 |
Sector Empresarial | Transportes, viagens e turismo |
Tipo de Mídia | Interatividade |
Comprimento | |
Produtora | VIRUS / Markenfilm Crossing GmbH |
Creative Managing Director | Dörte Spengler-Ahrens |
Director criativo | Marielle Wilsdorf |
Director criativo | Eva Stetefeld |
Director de contas | Annette Krebs |
Titulo | Universal Love |
Agência | McCann New York |
Campanha | Universal Love |
Anunciante | MGM Resorts International |
Marca | MGM Resorts |
Data da primeira Transmissão/Publicação | 2018 / 4 |
Sector Empresarial | Hotéis e resorts |
História | Las Vegas is the “wedding capital of the world,” but not necessarily for LGTBTQ couples. As the largest hotel brand in Vegas, and one with a long history of support for the LGBTQ community, MGM Resorts was on a mission to spread a message of inclusion, showing that Vegas was truly welcoming to all.;Throughout the history of music, love songs have almost solely celebrated heterosexual love. These well-known songs don’t reflect the changing definitions of love and marriage, making them harder for same-sex couples to fully embrace and relate to. As a result, these couples had few choices when it came to wedding songs that represent their relationship. As a popular destination for weddings, we realized MGM could help change that.;We decided to harness the power of music to bring a message of inclusivity to the world in the most entertaining way possible. |
Tipo de Mídia | Case Study |
Comprimento | |
Realizador | Lagan Sebert |
Produtor executivo | Sandra Sampayo |
Produtor executivo | Brandon Bloch |
Casting | Jenny O |
Empresa de produção | Chris Franklin |
Colorização | Chris Ryan |
Som | Rob Fielack |
Tusk Music Production | Rob Kaplan |
Produtor executivo | Aaron Mercer |
3. MGM Resorts / Universal Love Songs
Titulo | Universal Love Songs |
Brief | MGM Resorts were hosting same-sex weddings years before they were made officially legal in the US. Until now, classic love songs have been something that only straight couples can truly “own.” This was a great opportunity to reimagine wedding songs and show that MGM (and Las Vegas in general) is open to everyone. A new album of classic love songs flipped the pronouns to upend norms and challenge traditional ideas of love. Bob Dylan, Kesha and St. Vincent were among those who transformed the songs, creating a new soundtrack that celebrates Universal Love. |
Agência | McCann New York |
Campanha | Universal Love |
Anunciante | MGM Resorts International |
Marca | MGM Resorts |
Data da primeira Transmissão/Publicação | 2018 / 4 |
Sector Empresarial | Hotéis e resorts |
História | Las Vegas is the “wedding capital of the world,” but not necessarily for LGTBTQ couples. As the largest hotel brand in Vegas, and one with a long history of support for the LGBTQ community, MGM Resorts was on a mission to spread a message of inclusion, showing that Vegas was truly welcoming to all.;Throughout the history of music, love songs have almost solely celebrated heterosexual love. These well-known songs don’t reflect the changing definitions of love and marriage, making them harder for same-sex couples to fully embrace and relate to. As a result, these couples had few choices when it came to wedding songs that represent their relationship. As a popular destination for weddings, we realized MGM could help change that.;We decided to harness the power of music to bring a message of inclusivity to the world in the most entertaining way possible. |
História (língua original) | MGM Resorts has a long history of hiring and supporting members of the LGBTQ community. In fact, they were hosting same-sex weddings years before it was made officially legal in the United States.We realized that until now, classic love songs have been something that only straight couples can truly “own.” These well know songs don’t reflect LGBTQ relationships, making them harder for those couples to fully embrace and relate to. This was a great opportunity to reimagine wedding songs to show that MGM (and Las Vegas in general) is open to everyone, regardless of sexual orientation.There are countless love songs: songs about true love, lost love, forbidden love, love gone bad and love rekindled. But there aren’t many songs celebrating the love between same-sex couples. As a result, LGBTQ couples had few choices when it came to wedding songs. As a popular destination for weddings, we realized MGM could help change that.We created an album of classic love songs, flipping the pronouns to upend norms and challenge the traditional ideas of love and marriage, sharing a message of inclusivity in the process.We partnered with a group of iconic musicians spanning genres, generations and sexual orientation (Bob Dylan, Kesha, Benjamin Gibbard, St. Vincent, Kele Okereke, and Valerie June) to reimagine traditional love songs, creating a new soundtrack that celebrate Universal Love.Ultimately, we redefined what a love song means in popular entertainment. The impact, like the love it celebrates, was universal |
Tipo de Mídia | Case Study |
Comprimento | |
Realizador | Lagan Sebert |
Produtor executivo | Sandra Sampayo |
Produtor executivo | Brandon Bloch |
Casting | Jenny O |
Empresa de produção | Chris Franklin |
Colorização | Chris Ryan |
Som | Rob Fielack |
Tusk Music Production | Rob Kaplan |
Produtor executivo | Aaron Mercer |
4. MGM Resorts International / Universal Love
Titulo | Universal Love |
Agência | McCann New York |
Campanha | Universal Love |
Anunciante | MGM Resorts International |
Marca | MGM Resorts International |
Posted | Abril 2019 |
Sector Empresarial | Transportes, viagens e turismo |
Tipo de Mídia | Viral |
Comprimento | |
Agency Network | McCann Worldgroup |
Holding Company | Interpublic Group |
CCO North America | Eric Silver |
Co-CCO | Tom Murphy |
Co-CCO | Sean Bryan |
Director executivo criativo | Chris Mitton |
Director executivo criativo | Nir Refuah |
Director criativo | Carlos Wigle |
Director criativo | Scott Cooney |
Director criativo | Benjamin Vendramin |
Director criativo | Jesse Potack |
Chief Production Officer | Nathy Aviram |
Produtor executivo | Deb Archambault |
Designer | George Katz |
Designer | David Mashburn |
President | Devika Bulchandani |
EVP Executive Account Director | Scot Beck |
Director de contas | Tessa Cosenza |
Director of Social and Mobile | Gemma Craven |
Chief Communications Officer | Jeremy Miller |
Chief Experience Marketing Officer | Lili Tomovich |
SVP Marketing Strategy | Kate Wik |
VP Brand Strategy | Nick Parks |
VP of Media | Megan Estrada |
SVP of Public Relations | Jenn Michaels |
Produtor executivo | Patrick Milling Smith |
Produtor executivo | Rob Kaplan |
Produtor executivo | Aaron Mercer |
Website Production | Your Majesty |
Produção de som | Abbott Wool |
Produção de som | Wool & Tusk |
Design de imagens | Jakob Trollbäck |
Produtora | Smuggler |
Public Relations Agency | Sunshine Sachs |
5. Tourism Australia / DUNDEE: The Son Of A Legend Returns Home (Trailer 1)
Titulo | DUNDEE: The Son Of A Legend Returns Home (Trailer 1) |
Agência | Droga5 |
Campanha | Dundee: The Son of a Legend Returns |
Anunciante | Tourism Australia |
Marca | Tourism Australia |
Data da primeira Transmissão/Publicação | 2018 / 2 |
Sector Empresarial | Destinaçãoes (Países e lugares) |
Tipo de Mídia | Televisão |
Comprimento | |
Empresa de design sonoro | Human |
Creative Chairman | David Droga |
Director criativo | Chris Colliton |
Director criativo | Kevin Weir |
Director assistente criativo | Jim Curtis |
Director assistente criativo | Ryan Fitzgerald |
Designer | Devin Croda |
Designer | Jen Lally |
Associate Experience Design Director | Annie Ha |
Co-Director of Film Production | Jesse Brihn |
Produtor executivo | Andrew Slough |
Música | Mike Ladman |
Director of Business Affairs | Jocelyn Howard |
Business Affairs Manager | Tom Vendittelli |
Talent Manager | Michelle Cramer |
Traffic Manager | Wendy Kaplan |
Co-Director of Interactive Production | Justin Durazzo |
Producer | Alex Smith |
Producer | Aaron Matys |
Director of Art Production | Cliff Lewis |
Producer | Nichole Katsikas |
Associate Director | Riley Clough |
Group Strategy Director | Will Davie |
Group Strategy Director | Head of Digital Design |
Communications Strategy Director | Delphine McKinley |
Communications Strategist | Hillary Fink |
Data Strategist | Janet Kim |
Director de contas | Edward Rogers |
Director de contas | Marissa Guerra |
Account Manager | Annie Sherbon |
Associate Account Manager | Jeff Winsper |
Project Manager | Meredith Nydam |
Project Manager | Tessa Muchura |
Project Manager | Marianne Stefanowicz |
PR manager | Danny Hernandez |
Director de publicidade | Tourism Australia |
Managing Diretor | John O'Sullivan |
Chief Marketing Officer (CMO) | Lisa Ronson |
General Manager | Susan Coghill |
General Manager | Geoff Ikin |
Global Manager | Nick Henderson |
Global Manager | Sarah Gallon |
Project Manager | Siobhan Petri |
Global Manager | Courtney Barry |
Global Manager | Emma Sturgiss |
Global PR | Nicole Foster |
Advocacy Manager | Nicole Foster |
PR Manager North America | Julie Earle Levine |
General Manager | John MacKenney |
Global Manager | Iris Wagner |
Global Manager | Manjit Gill |
Special Projects Manager | Yvonne Cheng |
International Media Manager | Minta Burn |
Marketing Media Manager | Rochelle Vinson |
General Manager | Leo Seaton |
Produtora | Revolver |
Produtora | Will O'Rourke |
Produtora | Biscuit Filmworks |
Realizador | Steve Rogers |
Managing Diretor | Michael Ritchie |
Managing Diretor | Shawn Lacy |
Produtor executivo | Pip Smart |
Produtor executivo | Holly Vega |
Producer | Caroline Kruck |
Director de fotografia | Russell Boyd |
Câmara | Anna Howard |
Drone Operator | Tony Driver |
Designer de produção | Chris Kennedy |
Costume | Margot Wilson |
Make-Up Artist | Nikki Gooley |
Efeitos especiais | Justin Bromley |
Empresa de produção | Exile |
Editor | Pete Sciberras |
Produtora | Second Child |
Pós produção | Blacksmith |
Colorização | Company 3 |
Som | Heard City |
Companhia de Produção Interativa | Active Theory |
Agência de Mídia | UM Sydney |
Global Business Director | Sophie Bingham |
Global Strategy Director | Chris Colter |
Global Digital Director | Sarina Ballauff |
Global Client Director | Ashleigh Krstanoski |
Global Digital Manager | Anthony Thomas |
PR Consultant | Kovert Creative |
6. Uber / Boxes - Let's Unlock Cities
Titulo | Boxes - Let's Unlock Cities |
Agência | Forsman & Bodenfors Göteborg |
Campanha | Boxes |
Anunciante | Uber |
Marca | Uber |
Data da primeira Transmissão/Publicação | 2017 / 11 |
Sector Empresarial | Transportes públicos |
História | We enter a chaotic city where cars are replaced by cardboard boxes to show how traffic problems could be reduced if individuals didn't insist on driving their own vehicles. Why not turn to ride sharing instead? |
Tipo de Mídia | Interatividade |
Comprimento | |
Creative Agency | Forsman & Bodenfors Göteborg |
Supervisor de publicidade | Kunal Gupta |
Director de contas | Alison Arnold |
Account Manager | Helen Johansson |
Supervisor de conta | Sanna Fagring |
Director de arte | John Bergdahl |
Redator | Jacob Nelson |
Redator | Rikke Jacobsen |
PR Strategist | Bjarne Darwall |
Designer | Emelie Lindquist |
Designer | Johan Fredriksson |
Planeador | Tobias Nordström |
Planeador | Leo Bovaller |
Produtor da agência | Alexander Blidner |
Realizador | Adam Berg |
Produtor executivo | Johan Lindström |
Producer | Ben Croker |
Production Manager | Kate Wynborne |
Director de fotografia | Mattias Rudh |
Assistant Director | Tony Fernandez |
Editor | Paul Hardcastle |
Efeitos especiais | Swiss |
Post Production Supervisor | Leo Wilk |
Empresa de design sonoro | Redpipe |
Produtora | INDIO |
Activation Strategy | Mano |
Distribution Partner | Oath |
7. Lufthansa / LOFOTEN
Titulo | LOFOTEN |
Agência | Accenture Song (formerly Kolle Rebbe) |
Campanha | #LifeChangingPlaces |
Anunciante | Lufthansa |
Marca | Lufthansa |
Data da primeira Transmissão/Publicação | 2017 / 9 |
Sector Empresarial | Transportes aéreos, de estrada, marítimos, ferroviários e de cruzeiro |
História | Shot in Lofoten, Norway, "#LifeChangingPlaces” is the first video of a series about people who are deeply affected by the incredible places they visited. Director Vincent Urban and his crew spent nine days on location in the Lofoten Islands capturing the most stunning imagery in bone-chilling conditions. |
Tipo de Mídia | Televisão |
Comprimento | |
Pós-produção | Ralf Erthle |
Produtora | 27 Kilometer Entertainment GmbH |
Director de fotografia | Clemens Krüger |
Realizador | Vincent Urban |
Director criativo | Christian Kroll |
Editor | Max Neumeier |
Sound Designer | Denis Elmaci |
Sound Designer | Max Neumeier |
8. Graubünden Ferien / Friendly photography ban in bergün
Titulo | Friendly photography ban in bergün |
Agência | Jung von Matt/Limmat Werbeagentur AG |
Campanha | Friendly photography ban in bergün |
Anunciante | Graubünden Ferien |
Marca | Graubünden Ferien |
Data da primeira Transmissão/Publicação | 2018 / 6 |
Sector Empresarial | Destinaçãoes (Países e lugares) |
Tipo de Mídia | Viral |
Comprimento |
9. Gol Linhas Aereas / The neymarless sponsorship
Titulo | The neymarless sponsorship |
Agência | AlmapBBDO |
Campanha | The neymarless sponsorship |
Anunciante | Gol Linhas Aereas |
Marca | Gol Linhas Aereas |
Data da primeira Transmissão/Publicação | 2018 / 3 |
Sector Empresarial | Transportes aéreos, de estrada, marítimos, ferroviários e de cruzeiro |
Tipo de Mídia | Integrated Media/360 Activation |
Comprimento |
10. 15% Velocity Frequent Flyer Bonus / The Billion Point Giveaway
Titulo | The Billion Point Giveaway |
Brief | How do you promote frequent flyer points in an entertaining way? Meet Tim, the intern who "accidentally" offered one billion free points to Velocity Frequent Flyer's 7.5 million members. The ensuing drama played out in a 40 episode online series. We see Velocity’s employees go fro denial to: “We’re going to need more planes." Unlike most dramas, where viewers tune in, this series "found" its audiences, remembered their past behaviour and served tailored content directly to them, making each customer journey unique. |
Agência | CHEP Network |
Campanha | The Billion Point Giveaway |
Anunciante | Velocity Frequent Flyer |
Marca | 15% Velocity Frequent Flyer Bonus |
Posted | Novembro 2017 |
Sector Empresarial | Transportes aéreos, de estrada, marítimos, ferroviários e de cruzeiro |
História | The previous four 15% bonus campaigns saw modest transfer increases despite strong media investment, necessitating headline-making creativity to shake the category and reinvigorate member relationships. Meet Tim, the intern who ‘accidentally’ sent an email to some of Velocity Frequent Flyer’s 7.5M members offering a slice of 1 billion (instead of 1 million) Points when they transfer reward points to Velocity. The ensuing dramatised consequences played-out in a 40-part mini-series during May. We follow Velocity’s employees as they go from denial, “what points?”, to realisation “We’re going to need more planes”. The implications of these high value Points flooding the market was contextualised with executions, ‘that’s something like 100,000 upgrades!’. Velocity employees eventually move to acceptance and relief “one week, just one week” - driving urgency in the campaign’s last days. Unlike most dramas - where you tune in - this series found you, knew what you had seen, your past transfer behaviour, and served tailored content to you when you went online, making each customer journey unique. Velocity’s first-party customer database was dissected into nine identifiable cohorts. Lookalike modelling was applied to high-value cohorts and budget directed to cultivate established customer relationships - increasing propensity for high-value conversions. To help target non-transferring members and delivered new-member growth, we built an addressable audience across Facebook-3.4M and DBM-1.2M to predict conversion likelihood and refined owned contact strategies creating bespoke messaging across all channels. Audiences were also targeted holistically with owned and paid media, including display banners, social posts, LinkedIn (where Tim job hunted), and in-airport collateral. Consumers were then driven to a fully-responsive online microsite containing a purpose-built Points calculator. People entered in the amount of points they wanted to transfer, then a ‘result’ told them how big their share of points was and where they could go with them. |
Problema | The core of Velocity Frequent Flyer, the loyalty program of Virgin Australia, is to get people earning Velocity Points.This can be done in a myriad of ways. But the goal is to tap into the ‘everyday spend’ that approximately 7 million Australian’s (roughly 45% of Aussie consumer card holders) put on a credit card that earns some sort of rewards points.Velocity operates an ‘in-direct model’ and must encourage people to move these reward points to Velocity. People then use these points to take a flight with Virgin Australia or partner airlines.To encourage these transfers, Velocity have a bi-annual offer where members receive an additional 15% bonus points when they transfer these reward points to Velocity in May or November. |
Tipo de Mídia | Case Study |
Produtora | Good Oil |
Director criativo | Brian Jefferson |
Redator | Ashley Wilding |
Director de arte | Daniel Davison |
Fotógrafo | Crighton Bone |
Realizador | Abe Forsythe |
Producer | Sam Long |
Producer | Llew Griffiths |
Produtor da agência | Jenny Livingston |
Produtor da agência | Natalie Hort |
Produtor da agência | Blaise Palmer |
11. Australia / Aussie News Today
Titulo | Aussie News Today |
Agência | Clemenger BBDO Sydney |
Campanha | There's Nothing Like Australia |
Anunciante | Tourism Australia |
Marca | Australia |
Data da primeira Transmissão/Publicação | 2017 / 10 |
Sector Empresarial | Destinaçãoes (Países e lugares) |
Tipo de Mídia | Viral |
Comprimento |
12. Youth & Adventure / Date
Titulo | Date |
Agência | TBWA\Hunt\Lascaris Johannesburg |
Campanha | Flight Centre |
Anunciante | Flight Centre |
Marca | Youth & Adventure |
Posted | Junho 2018 |
Sector Empresarial | Transportes, viagens e turismo |
Tipo de Mídia | Rádio |
Comprimento |
13. Youth & Adventure / Swim
Titulo | Swim |
Agência | TBWA\Hunt\Lascaris Johannesburg |
Campanha | Flight Centre |
Anunciante | Flight Centre |
Marca | Youth & Adventure |
Posted | Junho 2018 |
Sector Empresarial | Transportes, viagens e turismo |
Tipo de Mídia | Rádio |
Comprimento |
14. Thalys / HUMAN MONUMENTS
Titulo | HUMAN MONUMENTS |
Agência | ROSA PARIS |
Campanha | Human Monuments |
Anunciante | Thalys |
Marca | Thalys |
Data da primeira Transmissão/Publicação | 2018 / 4 |
Sector Empresarial | Transportes aéreos, de estrada, marítimos, ferroviários e de cruzeiro |
História | In Brussels, says train service Thalys and its agency, the real monuments are its people. An entertaining Facebook event played on this idea. People were invited to test a "Holobooth", a futuristic photo booth capable of capturing them in 360° and creating their hologram. The hologram was then projected onto a stone slab, creating gigantic silhouettes more than five metres high. |
Tipo de Mídia | Case Study |
Comprimento | |
Mercado | Bélgica, Países Baixos, Reino Unido |
Client | Laetitia Deville |
Client | Pauline Remond |
Client | Barbara Bruynooghe |
Client | David Schoffers |
Client | Kim Masselin |
Co-founder | Jean-Patrick Chiquiar |
Co-founder | Gilles Fichteberg |
Co-founder | Jean-Francois Sacco |
ECD | Gilles Fichteberg |
ECD | Jean-Francois Sacco |
General director | Delphine Drutel |
Group account director | Aurore Cornen |
Account manager | Camille Hemet |
Account executive | Tristan Blondeau |
Copywriter | Nicolas Gadesaude |
Art director | Julien Saurin |
TV producer | Thomas Laurent |
PRODUCTION | Sovage |
Producer | Willy Morrencé |
Production director | Lorette Delva |
Director | Julian Nodolwsky |
DOP | Nicolas de St Quentin |
Post production | FIRM |
HOLOGRAM | Orbis |
Director | Yvan Touhami |
Account manager | Anthony Damario |
Titulo | Beach 2 |
Agência | BBDO Bangkok |
Campanha | Thai Airasia |
Anunciante | Thai Airasia |
Marca | Thai Airasia |
Posted | Agosto 2018 |
Sector Empresarial | Transportes aéreos, de estrada, marítimos, ferroviários e de cruzeiro |
Tipo de Mídia | Imprensa e publicações |
Chief Creative Officer | Suthisak Sucharittanonta |
Director executivo criativo | Suthisak Sucharittanonta |
Director criativo | Anuwat Nitipanont |
Redator | Suthisak Sucharittanonta |
Director de arte | Suthisak Sucharittanonta |
Redator | Anuwat Nitipanont |
Director de arte | Anuwat Nitipanont |
Redator | Thiti Boonkerd |
Director de arte | Kantapon Metheekul |
16. Youth & Adventure / Spiritual Festival
Titulo | Spiritual Festival |
Agência | TBWA\Hunt\Lascaris Johannesburg |
Campanha | Flight Centre |
Anunciante | Flight Centre |
Marca | Youth & Adventure |
Posted | Julho 2016 |
Sector Empresarial | Transportes, viagens e turismo |
Tipo de Mídia | Rádio |
Comprimento |
Titulo | Real- Time Taxi Display |
Agência | dentsuMB |
Campanha | Real Time- Taxi Display |
Anunciante | United Airlines |
Marca | United Airlines |
Posted | Novembro 2017 |
Sector Empresarial | Transportes aéreos, de estrada, marítimos, ferroviários e de cruzeiro |
Filosofia | United Airlines’ strength in New York is rooted in its Newark International Airport (EWR) hub in New Jersey. New Yorkers are familiar with both the EWR and JFK airports, but for most, the idea of flying from a New Jersey airport seems inconvenient and distant. In reality, Newark is actually closer to Manhattan than perceived, so getting to EWR by taxi is significantly faster than getting to JFK. To prove this to New Yorkers, we programmed GPS software integrated with real-time traffic data into 125 digital taxi tops and displayed a comparison between the travel time to JFK vs EWR. |
Resultado | The taxi displays were 100% dynamic and would update in real time with every change in the taxi’s position, evolving traffic patterns, and unpredictable events like car accidents or weather. This represents the first time real-time traffic data has been used to display a dynamic ad on top of a taxi. |
Tipo de Mídia | Imprensa e publicações |
Media Company | Kinetic Worldwide |
Planejador de Mídia | Robin Yablonski |
Planejador de Mídia | Megan Warfield |
Agency Account Executive | Amy Laughlin |
Agency Account Supervisor | Kayla Friedman |
Agency Account Director | Joey Ziarko |
Agency Planning Director | Diane Epstein |
Director executivo criativo | Haydn Morris |
Group Creative Director | David Dirienz |
Redator | Anthony Pagaza |
Director de arte | Erik Jansen |
Director de arte | Steven Graziano |
Produtora | Verifone Media |